I'm a motion graphic designer and advertising specialist based in Santo Domingo, Dominican Republic. I design and animate visual stories for products and brands — from 3D concept to final color grade — using After Effects, Cinema 4D, Premiere Pro and DaVinci Resolve, backed by a background in Advertising and years of direct client communication.
A short personal introduction — who I am, how I approach a motion graphic project, and what I bring to a team or a client from first frame to final export.
Five productions — from 3D modeling and animation to 2D motion graphics and color grading — showing range across TV-style commercials, product visualization, brand explainers, and vertical social content.
A dental-care commercial for Smart Mouth that blends 3D animation, 2D motion graphics and live-action footage into a single, seamless piece — turning oral health into something clear, modern and easy to understand.
Produced in a TV-commercial style, the spot moves between real footage and animated 3D teeth and mouth visuals, with 2D graphic layers guiding the viewer through the message from first frame to final call to action.
A weight-loss program ad for Transform Weight Loss, built entirely with 2D motion graphics. Bold typography, animated shapes and energetic transitions communicate the program's promise in a fast, upbeat and easy-to-follow way.
Like Smart Mouth, the piece follows a TV-commercial style — tight pacing, a clear message and a strong call to action — designed to grab attention and drive viewers to act.
A full 3D product film for Dynex+, a smart speedometer built for cyclists. Every shot — the housing, the display, the mount — was modeled and animated in Cinema 4D, then composited and finished in After Effects.
The color story leans on a controlled teal-and-orange grade in DaVinci Resolve, built to make the product's display readable in motion while keeping the metal and rubber surfaces feeling tactile and real.
An explainer piece for Hazgo.com, a web hosting service, designed to turn a technical product into something clear and approachable in under a minute.
Built around clean kinetic type, icon-driven UI animation and a consistent motion language, the piece was animated in After Effects and graded in DaVinci Resolve to match Hazgo's brand palette.
A vertical, social-first piece built around a talking-head interview. A person speaks directly to camera while the frame is layered with custom motion graphic elements — animated captions, callouts and transitions — designed to keep a 9:16 audience engaged from the first second.
The talent footage was cut and paced in Premiere Pro, then every graphic layer was designed and animated in After Effects, with a final color pass in DaVinci Resolve to keep the look consistent across the whole vertical format.
Years spent working directly with clients and guests across hospitality, aviation and finance shaped the precision and clear communication I now bring to every motion project.